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2012 Year In Review: Fiction

Top Ten

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1. CRIME AND PUNISHMENT by Fyodor Dostoyevsky
Now that I’ve finally read this, I can’t help but recommend it to every single person who crosses my path. It is at once a gut-wrenching morality play, a brilliant psychological study, and a gripping crime thriller (not to mention a stunning refutation of Frederic Nietzche’s “Superman”). It’s dark and heavy, yes, but also shot through with hope; a story that affirms both the lostness of the human condition and the power of Christ to save.
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2. TO KILL A MOCKINGBIRD by Harper Lee
This acclaimed novel is ostensibly a courtroom drama, but such a description does not really do this profound and multifaceted book justice. Through the eyes of a child, Lee explores the evils of racial prejudice with subtlety and power, gracing her story with an elegance so unspectacular it’s spectacular. More than once, I had to pause and read passages aloud, just for the pleasure of rolling them off my tongue. Full review
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3. ENDER’S GAME by Orson Scott Card
As far as science fiction goes, Ender’s Game isn’t good, nor is it great – it’s brilliant. Winner of the Hugo and the Nebula awards, this bestselling novel by Orson Scott Card is a stellar fusion of action and ideas; a story as intellectually challenging as it is relentlessly entertaining. (The sequel, Speaker for the Dead, is also terrific). Full review
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4. THE THINGS THEY CARRIED by Tim O’Brien
This is not a novel, nor a memoir, nor a short story collection: it is, instead, an exquisite combination of all three. Through this unique but effective merging of fact and fiction, the author paints a picture of his life (and the lives of his fellow soldiers) before, during, and after the Vietnam war. And what a picture it is. Full review
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5. THE GREAT GATSBY by F. Scott Fitzgerald
It’s either one of the best novels I’ve ever read… or it’s one of the best novels I’ve ever read. They call ‘em classics for a reason, and this one is no exception. Beautiful writing, thought-provoking story.
Continue reading 2012 Year In Review: Fiction

Book Review: The Twelve

1 For it came to pass that the world was grown wicked, and men had taken war into their hearts, and committed great defilements upon every living thing, so that the world was as a dream of death;

2 And God looked upon His creation with great sadness, for His spirit no longer abided with mankind.  

3 And the Lord said: As in the days of Noah, a great deluge shall sweep over the earth; and this shall be a deluge of blood. The monsters of men’s hearts shall be made flesh, devouring all in their path. And they shall be called Virals.

So begins The Twelve, the second book in Justin Cronin’s trilogy of the apocolypse. Book one, The Passage, plunged us headlong into the fiendish aftermath of a government experiment gone terribly wrong. “It happened fast. Thirty-two minutes for one world to die, another to be born.” Now Cronin continues the story: because the end of the world was really just the beginning.

The first part of the book takes us back to Year Zero, when all hell breaks loose. New characters are introduced, old ones are developed, and more light is shed upon the circumstances surrounding the first Viral outbreak. Meanwhile, Cronin gradually brings us back to the current time, 97 AV – five years after the end of The Passage. Mankind’s fight for survival goes on, but the rules have changed. The enemy is evolving… and the future may hold something far worse than the extinction of the human race.

You could say the stakes are high, and you’d be right. In more ways than one. This is, after all, a novel about vampires. Get it? Stakes… vampires… oh, never mind.

The first question we must ask of The Twelve is this: did it live up to its predecessor? And to that I answer, yea and nay. The Passage is still the stronger of the two, by my reckoning – grander in scope, more tightly plotted, and with greater emotional heft. That being said, this sequel is no slacker. Even with its shortcomings, it towers high above the majority of modern fiction, and is, on the whole, a worthy addition to Cronin’s saga.

And speaking of Cronin, the guy is still at the top of his game as a storyteller. His writing is terrific, and he once again exhibits a tremendous (indeed, Clancy-esque) talent for handling large casts of characters. The story itself is a bona fide epic – a sprawling and majestically gritty tale of blood, survival, sacrifice, and adventure. Some have said it can be read as a stand alone novel, but I couldn’t disagree more. This is a sequel, in the truest sense of the word, and the core of its power lies in its connection to the first book. Reading The Twelve without reading The Passage is like reading The Two Towers without reading The Fellowship. In a word: pointless.

I said this was a novel about vampires, but that’s only half true. Vampires (or Virals) do play a significant role, but Cronin’s story is ultimately about the human race and those who fight for its survival. Like AMC’s The Walking Dead, The Twelve is less about the dead than it is about the living, and its pages are scattered with thought-provoking questions and ideas. You’ll find thrills, and more than a few chills, but you’ll also find quite a bit to think about.

As far as objectionable content goes, The Twelve isn’t much different its predecessor. There’s plenty of violence, a fair amount of strong language, and some mature sexual material. Be sure to take that into account when deciding if you want this book on your shelf (or your child’s shelf). Don’t say I didn’t warn you.

The City of Mirrors is the final book of the trilogy, and from what I hear, it’s scheduled for release in 2014. I look forward to seeing what Cronin has in store for us. In the meantime…

“All eyes.”