Keller Dover (Hugh Jackman) finds himself living every parent’s worst nightmare when his six-year-old daughter goes missing. The only lead? A battered RV that was parked on the street only hours before. Heading the investigation is Detective Loki (Jake Gyllenhaal), who tracks down the RV’s driver (Paul Dano) and takes him into custody. But when lack of evidence compels the suspect’s release, and police fail to turn up any more leads, Dover decides to take things into his own hands.
Liam Neeson has an impressive resume. Think about it. He trained Batman and Obi-Wan and Darth Vadar. He is both Aslan and Zeus (which makes him a god in at least two mythologies). And he single-handedly annihilated an entire human trafficking ring during a short vacation in Paris.
Having duly weighed this in our minds, we have to ask: Who or what is going to mess with a guy like that?
Wolves. And God.
From my review of Neill Blomkamp’s Elysium:
When your first film is a major commercial and critical success like District 9, seeds of anticipation and worry are planted in the collective mind of your audience. Questions start crowding to the surface: “Is this guy for real? Is he a one-hit wonder? Can he do it again?” Needless to say: Neill Blomkamp’s Elysium had ginormous shoes to fill, serious expectations to meet, and a lot to live up to. Did it succeed? Yes… and no. Mostly no.
The year is 2154, and society is divided into two classes: the wealthy, who live on a man-made habitat called Elysium, and the not-so-wealthy, who live on a diseased and overpopulated Earth. Matt Damon plays Max, an Earth-dweller determined to reach Elysium by fair means or foul. Jodie Foster is Delacourt, Elysium’s Secretary of Defense, equally determined to keep trespassers like Max off of her precious habitat – even if it means shooting them down in cold blood. Sharlto Copley, who played the hero Wikus in District 9, makes an appearance here as Kruger, Delacourt’s lunatic henchman. Continue reading —>
I’m trying to imagine the pitch for Monsters, Inc. when Pete Doctor first decided it should be a thing. Maybe it went something like this: “Hey fellas, I’ve got an idea. Why don’t we make a movie about monsters who scare the living nightlights out of children, and then harvest the screams as a kind of natural energy to power their world? Families will love it.”
Funny thing is, families did love it. They still do. I don’t think it’s a stretch to say that Monsters, Inc. is widely regarded as one of Pixar’s finest offerings. So with a sequel (Monsters University) scheduled to hit theaters later this month, I decided it was time to re-watch the original and get a fresh reminder of why it’s so great. Continue reading —->
In 2009, director Kathryn Bigelow gave us The Hurt Locker, a tour de force Iraq war film that blew the socks off audiences and critics alike. Her latest film, Zero Dark Thirty, is generating a similar buzz. Tense, intelligent, and well acted, this compelling dramatization of the decade-long hunt for Osama bin Laden has earned Ms. Bigelow a heaping of praise – and some controversy to go along with it. Continue reading —>
My review of Zero Dark Thirty, one of the standout films of 2012.